Calculated Frequencies for Additional Chakras

Following the pattern established by the original frequencies of: 396, 417, 528, 639, 741, and 852, additional frequencies, which would correspond to additional chakras, can be calculated. Please note the simplicity of the pattern when laid out vertically. There are increases by one digit in each vertical column. There are three frequencies which can be calculated below the 396 before breaking the pattern, and there are infinite frequencies that can be calculated above the 852, as follows:

Although the frequencies of 41 and 52 would appear to begin the pattern, they are not used because they do not reduce to a 3, 6, or 9 as all the other numbers do. The new frequencies which can be applied to the three chakras below the root chakra (396), are:

The new frequencies which can be applied to the frequencies above the crown chakra ,963, (see note below), are:

NOTE: There is an alternate frequency for the crown chakra (936). Both frequencies are viable for use because it depends on whether you are reading them as ascending or descending patterns. Also, the same Pythagorean method of reduction to a single digit after computing the difference between each number results in a "3"; as explained next.

Something Interesting

When the difference between each number is calculated and the Pythagorean method of

The Seventh Frequency

The six S.O.L.F.A. syllables we learned in our Introduction to S.O.L.F.A. Therapy and their related frequencies are:

Now that we understand the intent behind the syllable "Si", we will uncover the frequency of that syllable. In the Introduction to S.O.L.F.A. Sound Therapy we learned how to decipher the six repeating frequencies found in the book of Numbers, chapter 7. When the same Pythagorean method of reducing a number to a single digit is used with these six frequencies, another pattern emerges.

The emerging descending pattern is 936. We now have our seventh frequency. With this frequency decoded, it is interesting to note that John Keely spoke of the power inherent within the numbers 3, 6, and 9.

Achieving the Frequencies on a Keyboard: In order to achieve the frequencies of the "S.O.L.F.A. Sound" scale, we have calculated the frequencies that the "A4" note (which is usually tuned to 440 cycles per second in "Equal Temperament Tuning") must be retuned to. This may seem complicated at first but it is really quite simple once you know how to retune your "A4" note from 440 cycles per second (hertz) to those listed below. This is most easily accomplished on an electronic keyboard or synthesizer. For example, when the "A4" note is retuned to 444.48 cycles per second, then the "G4" note will be 396 cycles per second (which is the "UT"). The chart below shows the cycles per second (hertz) that the "A4" note must be retuned to and the corresponding note that achieves the desired frequency. Some electronic keyboards may not be able to achieve these exact frequencies, but, you can come very close. The frequencies listed below have been adjusted to within two decimal places for ease of tuning.

Retuning your "A4" note from 440 hz. to the frequency show in the first column will yield the corresponding note frequency shown in the second column.

444.48 G4 = 396 hz UT / 441.76 G#4 = 417 hz RE / 444.00 C5 = 528 hz MI / 451.84 D#5 = 639 hz FA / 440.64 F#5 = 741 hz SOL / 451.36 G#5 = 852 hz LA / 416.96 B5 = 936 hz SI. It would require a specially designed instrument or synthesizer to contain all of these frequencies at the same time on the same instrument.

Following the pattern established by the original frequencies of: 396, 417, 528, 639, 741, and 852, additional frequencies, which would correspond to additional chakras, can be calculated. Please note the simplicity of the pattern when laid out vertically. There are increases by one digit in each vertical column. There are three frequencies which can be calculated below the 396 before breaking the pattern, and there are infinite frequencies that can be calculated above the 852, as follows:

- 63
- 174
- 285
- 396
- 417
- 528
- 639
- 741
- 852
- 963 (see note below)
- 1074
- 1185
- 1296
- 1317
- 1428
- etc.

Although the frequencies of 41 and 52 would appear to begin the pattern, they are not used because they do not reduce to a 3, 6, or 9 as all the other numbers do. The new frequencies which can be applied to the three chakras below the root chakra (396), are:

- 63 - Foot chakra
- 174 - Knee chakra
- 285 - Hand chakra

The new frequencies which can be applied to the frequencies above the crown chakra ,963, (see note below), are:

- 1074 - 8th chakra (Divine love)
- 1185 - 9th chakra (Soul blueprint)
- 1296 - 10th chakra (Divine creativity)
- 1317 - 11th chakra (Advanced spiritual skills)
- 1428 - 12th chakra (Connection to the Central Son/Sun)
- etc.

NOTE: There is an alternate frequency for the crown chakra (936). Both frequencies are viable for use because it depends on whether you are reading them as ascending or descending patterns. Also, the same Pythagorean method of reduction to a single digit after computing the difference between each number results in a "3"; as explained next.

Something Interesting

When the difference between each number is calculated and the Pythagorean method of

**reduction to a single digit**is also calculated, this is what happens:- 63 to 174 difference 111 = 3
- 174 to 285 difference 111 = 3
- 285 to 396 difference 21 = 3
- 396 to 417 difference 21 = 3
- 417 to 528 difference 111 = 3
- 528 to 639 difference 111 = 3
- 639 to 741 difference 102 = 3
- 741 to 852 difference 111 = 3
- 852 to 963, or 936 difference 111 and 84, both = 3
- 963 or 936 to 1074 difference 111 and 138, both = 3
- etc.

The Seventh Frequency

The six S.O.L.F.A. syllables we learned in our Introduction to S.O.L.F.A. Therapy and their related frequencies are:

- Ut 396
- Re 417
- Mi 528
- Fa 639
- Sol 741
- La 852

Now that we understand the intent behind the syllable "Si", we will uncover the frequency of that syllable. In the Introduction to S.O.L.F.A. Sound Therapy we learned how to decipher the six repeating frequencies found in the book of Numbers, chapter 7. When the same Pythagorean method of reducing a number to a single digit is used with these six frequencies, another pattern emerges.

- Ut 396 = 3 + 9 + 6 = 18 1 + 8 = 9
- Re 417 = 4 + 1 + 7 = 12 1 + 2 = 3
- Mi 528 = 5 + 2 + 8 = 15 1 + 5 = 6
- Fa 639 = 6 + 3 + 9 = 18 1 + 8 = 9
- Sol 741 = 7 + 4 + 1 = 12 1 + 2 = 3
- La 852 = 8 + 5 + 2 = 15 1 + 5 = 6
- Si 936 = 9 + 3 + 6 = 18 1 + 8 = 9

**(Note: when read in ascending pattern the frequency is 963.)**The emerging descending pattern is 936. We now have our seventh frequency. With this frequency decoded, it is interesting to note that John Keely spoke of the power inherent within the numbers 3, 6, and 9.

Achieving the Frequencies on a Keyboard: In order to achieve the frequencies of the "S.O.L.F.A. Sound" scale, we have calculated the frequencies that the "A4" note (which is usually tuned to 440 cycles per second in "Equal Temperament Tuning") must be retuned to. This may seem complicated at first but it is really quite simple once you know how to retune your "A4" note from 440 cycles per second (hertz) to those listed below. This is most easily accomplished on an electronic keyboard or synthesizer. For example, when the "A4" note is retuned to 444.48 cycles per second, then the "G4" note will be 396 cycles per second (which is the "UT"). The chart below shows the cycles per second (hertz) that the "A4" note must be retuned to and the corresponding note that achieves the desired frequency. Some electronic keyboards may not be able to achieve these exact frequencies, but, you can come very close. The frequencies listed below have been adjusted to within two decimal places for ease of tuning.

Retuning your "A4" note from 440 hz. to the frequency show in the first column will yield the corresponding note frequency shown in the second column.

444.48 G4 = 396 hz UT / 441.76 G#4 = 417 hz RE / 444.00 C5 = 528 hz MI / 451.84 D#5 = 639 hz FA / 440.64 F#5 = 741 hz SOL / 451.36 G#5 = 852 hz LA / 416.96 B5 = 936 hz SI. It would require a specially designed instrument or synthesizer to contain all of these frequencies at the same time on the same instrument.

448.48
441.76 444.00 451.84 440.64 451.36 416.96 |
G4 = 396 hz
G#4 = 417 hz C5 = 528 hz D#5 = 639 hz F#5 = 741 hz G#5 = 852 hz B5 = 936 hz |
UT
RE MI FA SOL LA SI |